As Don Pedro Alvarado

(Indian Queen)

Noah Stewart as Don Pedro is magnificent.

As Faust

(Faust)

Noah Stewart is probably the most talked-about young American tenor these days, so his casting in the title role was especially intriguing.

As Don Jose

(Carmen)

Noah Stewart does put in an impressive turn, however, with an assured, vocally muscular Don Jose.

As Pinkerton

(madama Butterfly)

Noah Stewart’s beaming Pinkerton behaves as if money and rank can get him whatever he chooses.

As Rodolfo

(La Boheme)

Perhaps the greatest performance of the night was that of Noah Stewart as Rodolfo. With an amazing vocal range and power.

As Romeo

(Romeo & Juliet)

Stewart, who is seemingly everyone’s favorite up-and-coming tenor, comes off as an assuming vocal presence on first blush.

As Nadir

(The Pearl Fishers)

His beautiful tenor voice floating effortlessly into a forceful, glowing top, a mature voice on its way to the top tenordom.

As Manrico

(Il Trovatore)

The unassailable standout was young tenor Noah Stewart as Manrico, whose magnificent vocal gifts were in ready and unwavering supply through all four acts.

As The Prince

(A Flowering Tree)

Noah Stewart sustained the Prince’s high-lying tenor part with heroic force and lyric tenderness.

As T. Morris

Chester

(Appomattox)

Noah Stewart, a gifted young tenor as the courageous black journalist T. Morris Chester, were standouts.

As Malcolm

(Macbeth)

Tenor Noah Stewart as Malcolm, continues to outdo himself.

As Prince Vodemont

(Lolanta)

The unassailable standout was young tenor Noah Stewart as Manrico, whose magnificent vocal gifts were in ready and unwavering supply through all four acts.